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Dear Friends |
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February started
quietly, with the family temple ceremony at Rumah Roda, the Homestay
behind the Threads of Life gallery, and all the offerings for
Saraswati Day, which marks the beginning of a new 210-day ceremonial
cycle of the Balinese calendar. Saraswati Day also offered an
opportunity for the Balinese staff of both Threads of Life and the
Yayasan Pecinta Budaya Bebali to pray at the important Pura Semuan
Tiga temple in nearby Pejeng. Offerings were made prior to an
intense schedule of field visits over the next few months in
preparation for the second Indonesian Indigenous Weavers' Festival
in July. |
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For the last ten days of February
almost everyone was in the field. Six of us split into three teams
with overlapping missions, which were: to conduct an assessment
process for the two villages in Timor and Flores that had applied to
host the second Indonesian Indigenous Weavers' Festival in July; to
visit the weaving communities we work with in Timor; and to visit
the weaving communities in eastern Flores and Lembata. Despite
torrential rains causing the re-routing of flights and the cutting
off of some villages beyond swollen rivers, the field visits across
Timor and Flores were a success. |
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News from February's field trips
is included in this newsletter, as is a report on the completion of
Threads of Life's Fairtrade certification, which means we are now
licensed to use the Fair Trade Organization mark |
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Love and blessings,
Jean & William |
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News
From the Gallery |
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Field
Report from Sulawesi |
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by
Daud Manggalantung |
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"I was five days in the Mamasa area [to the west of Tana Toraja
in South Sulawesi] visiting the villages of Bala, Ballakarua and Pabasiang.
Out of 170 families I found fifteen weavers. These women do tablet
weaving, using twenty, forty or sixty tablets to make cloth one, two
or three fingers wide and five meters long. They call the technique
Galassiri and make cloth called Pallawa. It is used in aristocratic
funerary rites to tie around the heads of buffalo to be sacrificed,
to tie the wrappings on a corpse, and as a head tie for those at the
funeral. The traditional colors for a Pallawa are white, red and black,
like the carvings on a traditional Tongkonan house. Natural dyes are
no longer used in the cloth, but are still used in basketry."
During Daud's next visit, he will take some thread to the weavers
so they can make samples for us, from which we can place commissions.
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Field
Report from Timor |
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by
I Made Rai Artha
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"We arrived in Bokong [West Timor] as it was getting
dark and spent the night with Ibu Rebeka. Over coffee
the next morning we discussed the state of the last order.
The three Tais sarongs we ordered in December 2004 are
not yet finished, though one piece is now being woven.
While we were talking I saw that a man nearby was wearing
a belt with the end woven using both [the supplementary
warp-wrap] buna work and the kilim technique. I asked
about this and Rebeka said she and other local weavers
could make such belts. We have been searching Timor for
kilim weavers for a long time and so ordered twenty belts.
We also placed an order for thirty more sotis [supplementary
weft] scarves. Until now we have been supplying the natural
dye threads the weavers use, but this time they felt confident
enough to use the black mud dye recipe they have recovered
for the man's hip cloths we ordered
".
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Ibu
Rebeka (Left) and her sotis work |
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Textile of the Month |
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This month we feature a piece from the Sanggar Bliran Sina
cooperative in Watublapi, Flores, made noteworthy by the marked
improvement in the quality of the group's dye work over the last
year. During February's visit to Watublapi, the weavers set up an
exhibition for us with one area explained as "Pre-Festival" work and
the other as "Post-Festival." The difference in the colors of the
two groups of textiles was clear: the red dye in the new work had a
far deeper saturation and richer hue. Motivation, information and
inspiration gained at the 2005 Indonesian Indigenous Weavers'
Festival were given as explanations for the difference. Featuring
one of the Sanggar's pieces as the Textile of the Month honors the
weavers' achievements and their desire for even better color. |
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Textile
Village
Island
Size
Thread
Dyes
Ikat
Weaver
Dyer
Year Made |
: Selendang
: Watublapi
: Flores
: 147 x 43 cm
: Commercial cotton
: Indigofera tinctoria (blue), Morinda sp. (red)
: Maria Rosalina & Jufenta
: Veneranda
: Maria Rosalina
: 2005 |
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Selendang, Watublapi, Flores |
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Fair
Trade Organization Certification |
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Threads
of Life Certified by IFAT
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Threads of Life has been working
towards Fair Trade certification over the past two years, first
by applying for and being accepted as members of the International
Fair Trade Association (IFAT), and recently by completing IFAT's
monitoring process. |
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Monitoring is performed every
two years and is measured against international Fair Trade standards,
though these standards are seen as ideals that may not always be
immediately attainable given the state of the global market in which
fair-traders seek to do business. Minimum standards must be reached,
however, and continued improvement towards the standards is required
to maintain certification. Monitoring involves a self-assessment,
a stakeholder review, and possibly an external audit. (Audit's are
performed randomly because of IFAT budget limitations.) |
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In February Threads of Life
completed its first self-assessment and an initial stakeholder review
that was written up from a workshop at the office in Bali attended
by staff and those suppliers who could get to the office. After
review of the self-assessment and stakeholder review by the IFAT
monitoring committee Threads of Life has been granted the right
to use the Fair Trade Organization mark at the gallery and on its
publicity materials. |
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The Fair Trade Organization
mark credibly certifies an organization that fulfills fair trade
standards throughout its entire structure. The mark enables consumers
to differentiate between Fair Trade Organizations and other traders
that carry Fairtrade labeled products. Fairtrade labeling applies
to a relatively narrow range of food products, such as coffee, tea
and chocolate, and is an important source of livelihood support
for marginalized commodity farmers around the world. The Fair Trade
Organization mark allows the consumer to recognize genuine fair
trade activity in organizations trading goods, such as handicrafts,
that are not covered by the Fair trade label. |
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Threads of Life's participation
in the fair trade movement aims to increase awareness of and support
for trade justice everywhere, and to improve the credibility of
our own work. By supporting organizations that carry the Fair Trade
Organization mark and looking for products bearing the Fairtrade
label, you too can be part of a growing movement supporting socially-responsible,
environmentally-sound trade. |
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The
Silversmiths of Ndao |
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An
Exhibition at the Regional Museum in Kupang
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While in Timor we went to the
Regional Museum of East Nusa Tenggara in Kupang to see the Ford
Foundation-sponsored exhibition on Ndao, a tiny island with 3,000
inhabitants off the tip of Rote whose male inhabitants work as itinerant
silver- and goldsmiths across the islands of Nusa Tenggara Timur.
Several cabinets contained examples of ethnic earrings, headdresses,
breastplates, and bracelets made by Ndaonese smiths for traditional
communities in Timor, Sumba, Flores and Alor. Alongside the work,
informative written materials explained (in Indonesian) the smiths'
way of life. Returning to farm only during the wet season, the men
carry their tools with them when they travel, and set up shop wherever
there is work. Customers supply their own silver and gold, which
often means the smiths must work in their customer's homes. |
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"While researching this
exhibit I looked at school records on the island and saw that all
the birthday's were in October and November!" said museum curator,
Leonard Nahak. When asked about problems the Ndao smiths face he
continued, "They are highly skilled and need no training, but
they are running out of raw materials. In the past, the clans they
work for always had old silver coins, but these are rare now. There
is supply in Bali, but they can't afford to go there." |
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If you are in Kupang over the
next few months, be sure to spend some time at the museum. Small
exhibits, such as the one on Ndao, make important positive impacts
on the communities they portray both by building their self-confidence
and reducing their sense of isolation. |
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Upcoming
Events |
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Hong Kong 16 March,
6.30 PM
Traditional Indonesian Weaving Arts:
A Sustainable Rural Livelihood
The Textile Society of Hong Kong
A talk by Jean Howe of Threads of Life at Helena May, 31 Garden
Road, Central. Website: www.textilesocietyofhk.org
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Australia 13 April
- 28 May
Symbols & Ceremonies: Indonesian textile traditions
Art Gallery of New South Wales, Sydney
An exhibition of textiles from Java, Sumba, Bali and Sumatra,
and trade cloths from India. Includes excerpts from the Yayasan
Pecinta Budaya Bebali's video documentary of the 2005
Indonesian Indigenous Weavers' Festival.
Website: www.artgallery.nsw.gov.au |
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Australia 15-30 April
Impressions of Asia
The Priory at Bingie, Priory Lane, Bingie, NSW.
An exhibition including textiles from the Threads of Life
gallery of Bali. Website: www.bingie.com |
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Bali 3-8 May
Quest for Global Healing Conference
Agung Rai Museum of Art, Ubud, Bali.
Jean Howe will be participating in a panel discussion on community
service. Website: www.questforglobalhealing.org
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About the Gallery |
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The Threads of Life Indonesian Textile Arts Center is a fairtrade
business founded in 1998 that works directly with weavers to sustain
the indigenous textile arts and the cultural heritage these arts express.
It works to empower women, to commission natural-dyed textiles, and
sell the textiles thus produced. It also holds classes in textile
appreciation and natural-dye batik to raise awareness of the traditional
textile arts. |
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News
From the Foundation |
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Site
Selection Field Visits |
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for
Indonesian Indigenous Weavers' Festival 2006
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During the last week of February
we conducted an assessment of the villages in Timor and Flores that
had applied to host the second Indonesian Indigenous Weavers' Festival
in July. |
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A mass of information was gathered
in the communities of Amarasi in Timor and Watublapi in Flores.
Both places fulfilled all the basic criteria, though in different
ways. A point system had been developed to quantify criteria relating
to the qualities of the meeting spaces, accommodations, food, communications,
sanitation, and health services. |
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With the participation of local
people and an observer from the other community, we applied this
point system to each location and found that the total scores differed
by only two points out of a total of 250, a difference well within
any margin of error. |
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At the time of writing this
newsletter we are still sorting through the data, and will publicize
the decision on the festival location and dates once we have informed
Watublapi and Amarasi of the choice. |
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People & Plants International |
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Supporting
the Indonesian Indigenous Weavers' Festival
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The 2005 Indonesian Indigenous
Weavers' Festival was greatly enhanced by the support of Professor
Tony Cunningham, an ethnobotanist from South Africa now living in
Australia, and Director of People and Plants International (PPI)
(website: www.peopleandplants.org) an international "knowledge
network". His influence upon the design and facilitation of
the discussions about dye plant use, cultivation and collection
led to many of the festival's most significant outcomes, including
the commitment by many communities to start dye plant gardens. His
pro bono work during the festival represented "in-kind"
support from PPI of US$3,500, and his continued participation in
the 2006 Indonesian Indigenous Weavers' Festival and related research
into sustainable use of dye plants and related natural resources
are being supported by a further PPI-sponsored grant of US$11,500. |
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Made
Maduarta of the YPBB & Tony Cunningham at the 2005
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Indonesian
Indigenous Weavers Festival |
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People
and Plants International is a non-profit organization of ethnoecologists
devoted to conservation and the sustainable use of plant resources
around the world. Now headquartered in New York , PPI follows
and builds on the twelve-year People and Plants Initiative,
a joint project of the WWF, UNESCO, and the Royal Botanic
Gardens at Kew, UK. In its website PPI describes its mission
and work as follows: |
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"Wild, managed, and
domesticated plant resources represent a vital 'green' social
security to the majority of the world's people in the form
of food, fuel, housing, textiles, medicines, and income from
their processing and sale. Around the world, traditional systems
of managing these resources are put under great stress by
forces such as global markets for wood, non-timber forest
products, and other biological or mineral materials. |
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"The PPI network brings together local and international experts to combine
traditional knowledge and biological sciences in the most advanced
and integrated development, conservation, and education projects.
By working together with local groups in collaborative partnerships,
PPI develops sustainable local solutions to improve the interface
between human cultures and natural environments
It combines
indigenous and local knowledge with botanical science to solve problems.
In contrast to more conventional forms of 'working together,' PPI
does not design projects and then implement them through local
institutions-PPI helps local groups with their own initiatives. "We wish to thank Tony Cunningham and People and Plants International
for their continued support. |
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We
Need Your Support |
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The Indonesian Indigenous Weavers Festival Initiative will cost
US$150,000 this year. The main expenses are the costs of travel
to the communities to facilitate the development of local action
based on decisions made at the Festival, and the costs of getting
participants to and from the Festival itself. We have raised
US$100,000 from a large institutional donor, and US$10,000 from
a US foundation for the participation of weavers in West Kalimantan.
Donations from many of you to our Threads of Life Foundation
already total US$5,000, so we are seeking another US$35,000
in contributions of any size to keep this innovative project
going! |
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Secure
Online Donations |
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The Threads of Life Foundation is a U.S. nonprofit 501(c)(3),
509(a)(1) under the National Heritage Foundation and shares
its federal tax status (Tax Identification Number 58-2085326).
Secure online credit card donations to the Threads of Life Foundation
may be made at:
http://threadsoflife.com/foundation/ |
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About
the Foundation |
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The Threads of Life Foundation supports the work of the Yayasan
Pecinta Budaya Bebali, which is the Indonesian nonprofit sister
organization of the Threads of Life gallery in Ubud, Bali. The
Yayasan Pecinta Budaya Bebali is dedicated to sustaining the
traditional textile arts of Indonesia and the cultural heritage
these arts express. It works directly with hundreds of weavers
on Timor, Lembata, Flores, Sumba, Sulawesi, Kalimantan and Bali
to develop natural dye skills, to empower community, to develop
local and international markets for the weavers, and to facilitate
an ongoing dialogue between weavers and dyers of different traditions.
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Watublapi
Music CD Released |
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The
music of the Sanggar Bliran Sina cooperative from the village
of Watublapi, Flores, bears witness to a complex cultural history.
Ancient animistic agricultural songs mark the tilling, planting
and harvest seasons with surprisingly powerful harmonies. A
gong and bamboo ensemble holds the rhythm for dances that mark
life transitions, including the exchange of goods that accompany
marriage. By contrast, lilting serenades are accompanied on
homemade violin, banjo, ukulele, guitar and bass fiddle.
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This 40-minute CD, financed by Threads of Life and co-produced
with the Sanggar Bliran Sina, includes 10 tracks and a 20-page
booklet in English and Indonesian explaining the songs and music.
The CD costs Rp 90,000 (US$9.95) and is available at Threads
of Life or via tac@threadsolife.com |
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Indonesian
Indigenous |
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Weavers’ Festival
DVD |
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"Ninety-six
traditional weavers and cultural leaders from communities across Indonesia
came together for the inaugural Indonesian Indigenous Weavers' Festival
between the 27th of July and the 3rd of August 2005. They came to
the village of Waimatan on the island of Lembata from eighteen communities
on the islands of Kalimantan, Sulawesi, Bali, Flores, Sumba, Timor,
Adonara and Lembata. |
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Indonesian
Indigenous Weavers' Festival 2005 |
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This
remarkable documentary chronicles the Festival and explores
the traditional cultures and weaving arts of Indonesia from
the perspective of the people for whom they are a way of life.
Through informal conversation, facilitated discussion, workshops
on the weaving arts, and cultural exchange, Festival participants
worked together, seeking empowerment for themselves and their
communities." |
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The
DVD includes:
- a 15-minute version
- a 40-minute version
- an English narrative and subtitles for both versions
- an Indonesian narrative for both versions |
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A
third of the Rp150,000 (US$16.95) retail price of the DVD
will help cover travel expenses of participants to future
Indonesian Indigenous Weavers' Festivals. The Indonesian Indigenous
Weavers' Festival 2005 was organized by Threads of Life's
nonprofit sister organization, the Yayasan Pecinta Budaya
Bebali. To get your copy of the DVD please visit Threads of
Life or contact tac@threadsolife.com |
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